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網頁版文章：http://www.movier.tw/post.php?SID=135967






Call me by your name and I'll call you by mine.





聞天祥老師把本片進退之間的小題大作，有一番精準的詮釋，節錄原文如下：





這種拿捏真的進退都是學問，多一分則重鹹，少一分則搔不到癢處。導演Luca
Guadagnino在紐約電影節被觀眾問起：為什麼沒有gay sex scene在電影中？導演的回答
讓人再次肯定他的決定：“I think that their love is in all things, so when we
gaze towards the window and we see the trees, there is a sense of witnessing
that. I refuse with strong firmness that I was coy in not showing that,
because I think that Oliver and Elio and Armie and Timothée, the four of
them displayed a very strong intimacy and closeness in so many ways and it
was enough.”



電影有很多不同的面向可以探討，我認為劇本和人物才是電影的核心，易智言導演也用
Elio 和 Oliver 爬山的那一段，反勵台灣劇本創作者：「連 Nolan 都拍了一部沒有情節
，只有人物衝突的電影，台灣這些小朋友導演編劇還在幹什麼？」



說到劇本，不得不提已經90歲的甲甲電影大師James Ivory，也是本片劇本作者，人生沒
有一番風浪是寫不出結尾的爸爸說教戲的。



最喜歡的一場戲就是Michael Stuhlbarg爸爸說教，我願意為了仔細看一次這場戲二刷。
特別想把這段話寫出來："Nature has cunning ways of finding our weakest spot.
We rip out so much of ourselves to be cured of things faster than we should
that we go bankrupt by the age of thirty and have less to offer each time we
start with someone new. But to feel nothing so as not to feel anything - what
a waste! Then let me say one more thing. It'll clear the air. I may have come
close, but I never had what you two have. Something always held me back or
stood in the way. How you live your life is your business, just remember, our
hearts and our bodies are given to us only once. And before you know it, your
heart is worn out, and, as for your body, there comes a point when no one
looks at it, much less wants to come near it. Right now, there's sorrow,
pain. Don't kill it and with it the joy you've felt."

我們都是在30歲就情感破產的人，不要抑制你的悲傷，久了以後會讓你變成一個不再悲傷
的人。



還有兩個細節必提：沒有任何人因為選擇而被懲罰，很喜歡這樣的故事設定。結尾的長鏡
頭搭配Sufjan Stevens《Visions of Gideon》太心碎了。

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